Diane Coffee with Harpooner

Diane Coffee


The BishopBloomingtonIN
Ages 18+
Doors - 8:30pm Show - 9:30pm

The ever-evolving spectacle that is Diane Coffee -- the gender and genre-bending alter ego of Shaun Fleming -- returns with ​Internet Arms, ​a swan dive into a lush, digital glam wonderland.

Fleming’s path to stardom can be traced all the way back to his childhood days as a Disney voice actor, but for the past six years he’s explored the depths of his identity and channeled it outward in the form of the enigmatic and exuberant Diane Coffee.

In 2018, after performing as King Herod in the Lyric Opera’s critically-acclaimed run of ​Jesus Christ Superstar​, Fleming emerged from the recording studio with ​Internet Arms. ​Born from the fear and uncertainty of a future in which humankind is both dependent on and poisoned by technology, the album finds Diane Coffee trapped in a digital world, enslaved by AI.

“Did you know the technology exists to take a photo of anyone you know and use it to create… well, let’s call it, ‘adult entertainment’?” Fleming asks. “And did you know that an estimated 70% of all online activity isn’t human? Where does that leave us? We don’t interact with each other anymore because we’re always online. Not to mention we can manifest any version of ourselves at the push of a button when we’re logged in, so when we encounter humans they’re not even real.”

Facing this existential crisis, Fleming’s anxieties became his muse as his writing explored the scenarios of this dystopian future: “It’s a personal study on how I feel about living with constant blurred lines of the self and the projected self.” This notion shaped the sound of ​Internet Arms as well, compelling Fleming to gravitate toward synths, electronic drums, and other futuristic sounds from the past and present to create his version of a digital landscape, as well as a digital version of himself. “The songs are what have always dictated the sound. Working in the realm of clean, modern pop production has been an exhilarating change of pace. Diane Coffee now sounds like a digitization of its former self because I also feel trapped in this digital world,” Fleming explains.

This newly cybernated Diane Coffee is masterfully unveiled on album standouts “Not Ready to Go” and “Like a Child Does,” with both songs serving as vulnerable reflections on power and abuse. But whereas the former positions its chorus to soar high above a cityscape constructed of conduits and transistors, the driving pulse of the latter propels forward like a high-speed race through the surface streets of said city. Elsewhere, Diane Coffee’s sonic boundaries are pushed the furthest on “Lights On,” a massive contemporary pop song that impressively showcases Fleming’s extraordinary vocal range.

As a whole, ​Internet Arms​ marks a significant new phase for Fleming, a testimony to the idea that Diane Coffee will endure as a fluid form of expression that continues to defy expectations of sound and genre.

“Nicely crafted and heavy on big, airy hooks that recall ELO at their grandest.” Nashville Scene

“Dreamy pop tunes that linger in your mind long after hearing them.” Glide Magazine

Rising chamber pop artist Harpooner (aka Scott Schmadeke) is gearing up for the release of his sophomore album, following his acclaimed debut Rose Park which landed the support of the high profile publications including KCRW, Native Magazine, Glide and Flood Magazine.

Harpooner was born in 2014 - the solo project and brain child of Scott Schmadeke an Indiana transplant in Nashville, who first cut his teeth as a side player, performing with national acts Houndmouth, Diane Coffee, Andrew Combs, and an exhaustive list of East Nashville groups. Now, he opens as Harpooner for acts like Rayland Baxter, Margo Price, and Jessica Lea Mayfield exemplifying Harpooner’s crossover capacity to find a connection to a diverse audience.

Those years touring with other bands helped him develop his eclectic style in music which has been described as chamber groove-pop, with a unique blend of handsome string quartet arrangements, piano power ballads, and Nilsson-worthy melody writing. The resulting live show unfolds in waves and movements with a complexity that has already drawn a diverse range of comparisons to artists including: Jeff Lynne, Carole King, George Harrison, Chet Baker, alongside modern acts such as Tobias Jesso Jr, Andy Shauf and Ariel Pink.

Venue Information:
The Bishop
123 S Walnut Street
Bloomington, IN, 47404